and was erected on a 20½-foot stone pedestal, on the queen's birthday, 9 Dec, 1803, in the main square of Mexico. In 1822 it was re- moved to the uni- versity, and since 1852 it has stood on the Paseo de Bucareli, at the crossing of the Calzada de la Re- forma. It is one of the finest in America, and, ac- cording to Hum- boldt, second only to the statue of Marcus Aurelius in Rome. When England declared war againstFrance and Spain in 1803,
Tolsa established a
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foundry in Mexico where many cannon for coast defence were successfully cast.
TOM (known as Blind Tom), musical prodigy,
b. near Columbus, Muscogee co., Ga., 25 May,
1849. He is of pure negro blood. His parents
were slaves, and called him by the name of a member
of their former owner's family, Thomas Greene
Bethune. He was born blind, and the only sign
of intelligence he gave in infancy was the interest
he showed in sounds, such as the cries of animals,
the moaning of the wind, the rushing of waters,
and the pattering of rain. He could speak at an
earlier age than other children, and with greater
distinctness; but his words had no meaning for
him, and while he was able to repeat entire
conversations, he expressed his own wants by inarticulate
sounds. When he was four years old a piano was
brought to his master's house for the use of the
young ladies of the family, and one night they
were awakened by hearing him play one of their
pieces. This was his first effort, yet he played
with both hands, using the black and white keys.
After this he was allowed the use of the instrument,
and in a short time he was able to render
with accuracy all the airs he heard. He also made
some essays in original, or rather imitative,
composition. He would run about the yard or fields,
return to the piano, and, when asked what he was
playing, would reply: “What the birds said to
me,” or “What the trees said to me.” He has
sometimes been compared to Mozart in childhood,
but there is no instance recorded in musical
history comparable to Blind Tom's attainments in
phonetics and the power of reproduction and
retention of sound at the same early age. Tom was
brought to the north by his master, and made his
first appearance in New York, at Hope chapel, 15
Jan., 1861, since which time he has travelled widely
in this country and Europe. His musical feats,
whether they are the result of mnemonic and
imitative powers, or a genius for music, are astonishing.
He plays one air with his right hand,
accompanies it by another air in another key with his
left, and sings a third air in a third key at the
same time; and he can name any combination of
notes that he hears struck on the piano, no matter
how disconnected and puzzling the intervals. Not
only can he play from memory any piece of music,
however elaborate, after a single hearing, but he
imitates the improvisation of another, note by
note, then gives his own idea of it, and accompanies
that with variations. His capacity for the
most difficult musical performances since he was
first brought to the north by his master has been
subjected to the severest tests. He can only play
what he hears or improvises; but he has about 5,000
pieces at the disposal of his memory, embracing
the most difficult selections from Bach, Beethoven,
Chopin, Gottschalk, and Thalberg. During his
performances he indulges in curious antics, and he
applauds himself at the end by clapping his hands.
He recites with ease in Greek, Latin, French, and
German, besides imitating numberless musical
instruments and all sorts of sounds. He has
partially acquired the power of vision, and can now
see a luminous object within a very small space.
But while Tom's powers of memory, manual
dexterity, and imitative faculties are great, his renderings
are devoid of color and individuality.
TOMES, Robert, physician, b. in New York
city, 27 March, 1817; d. in Brooklyn, N. Y., 28
Aug., 1882. He was graduated at Washington
(now Trinity) college in 1835, and, after spending
some time in the medical schools of Philadelphia,
went to the University of Edinburgh, where he
received the degree of M. D. in 1840. He then
studied in Paris, and on his return to the United
States settled in the practice of his profession in
New York, but after a few years was appointed
surgeon on a vessel belonging to the Pacific mail
steamship company, and made several voyages
between Panama and San Francisco. In 1865 he was
appointed U. S. consul at Rheims, France, which
office he filled until 1867. Returning to the United
States, he spent most of his life in literary occupation.
He wrote for journals and magazines, and
his series of papers in “Harper's Magazine” on
American manners and society were widely popular.
He published “The Bourbon Prince” (New
York, 1853); “Richard the Lion-Hearted” (1854);
“Oliver Cromwell” (1855); “Panama in 1855”
(1855); “The Americans in Japan” (1857); “The
Battles of America by Sea and Land” (3 vols.,
1861); “The Champagne Country” (1867); and
“The War with the South: a History of the Great
American Rebellion” (3 vols., 1864-'7; German
translation, 2 vols., 1864-'7). Dr. Tomes also
translated works from the French and German.
TOMLINSON, Gideon, senator, b. in Stratford,
Conn., 31 Dec., 1780; d. in Fairfield, Conn.,
8 Oct., 1854. His grandfather was an officer at
the capture of Ticonderoga. He was graduated
at Yale in 1802, became a lawyer, and practised at
Fairfield. He was elected a member of congress
in 1818, serving from 1819 till 1827. He was chosen
governor of Connecticut in that year, and
continued in this office till 1831, when he resigned
and was elected U. S. senator, serving till 1837.
TO-MO-CHI-CHI, Indian chief, b. in Georgia about 1642; d. there, 5 Oct., 1739. He was the chief of a tribe of Creeks that dwelt near Yamacraw bluff, the site of Savannah. He met Gen. James Oglethorpe in 1733 at the fort that the latter built on Savannah river, and with the aid of an interpreter satisfactory arrangements were made with the neighboring tribes by which the English acquired sovereignty over the country that lies between Savannah and Altamaha rivers and extends westward as far as the tide-waters. The Creek chief is represented as ninety-one years old at the time, dignified and grave in manner. Although he had been expelled by the lower Creeks, he was still very influential throughout the confederacy, and this influence he exercised then, and during the remainder of his life, in favor of the English settlers. He presented Oglethorpe with a buffalo-skin on which the head and feathers of an eagle