The stage was dear to him, and he believed that no play could be adequately understood unless it was heard. The foremost players of his day he knew, and each had counseled with him, and he had gladly learned from them. With Fanny Kemble and her light touch and perspicuous, penetrating interpretation as a model, he read the familiar plays himself to many audiences, interspersing comment. To all who read or act he was a living proof that lines are 'read' by the mind and that he or she who fully understands will fully express, and he or she alone. Deaf as he was, stress, cadence, emphasis, intonation, and expression were as manifold, accurate, and illuminating as his comment. All was suffused with the cheer and glow of strength, and had behind that incomparable organ of interpretation, a mind that knew, loved, and voiced the inner meaning of the uttered word.
It is now sixty-five years since Dr. Furness, a boy of fourteen, received from Fanny Kemble a season ticket for her readings. In her readings she sat at a green baize-covered table still cherished in his library. She made him a Shaksperian for life. He was living in a city which, until Boston took its place a little over twenty years ago, as Chicago is doing to-day, gave the stage a more serious, steady, intelligent, and consistent support than any other.
To a local stage possessing this tradition the Philadelphia of threescore years ago added
