Page:Archaeological Journal, Volume 1.djvu/276

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258
PROCEEDINGS OF THE COMMITTEE.

Two were broken. I bought a small gold specimen, of which you have a tracing; this weight—168 grains, divided by 12, 14 grains. On the former sheet of tracings you had one of a copper specimen of ring-money, which also answered exactly when divided by twelve grains—2,136 grains, divided by 12, 178 grains. Our Liverpool merchants trading on the coast of Africa, at Bonney and elsewhere, send an article called a manilla, of cast-iron, shaped like the Irish copper or bronze ring-money, which is taken on the coast as money; twenty are estimated as a bar, and the bar varies in value according to circumstances, from 3s. to 4s. In the interior these manillas not only pass as money, but are used as ornaments to the person. The manillas are manufactured at Birmingham, and formerly were composed of copper and block tin."

August 28.

Mr. C. R. Smith read a letter from Mr. George K. Blyth, of North Walsham, Norfolk, announcing a satisfactory result in the application of solution of potash recommended by Mr. Smith at the last meeting of the Committee for the removal of paint from some wooden panels in North Walsham church. Mr. Blyth remarks,—"I applied the potash to all the panels, twenty in number; on eighteen I discovered figures, each with a highly and richly ornamented gold nimbus.

The first panel on the north end of the screen is blank, being painted of a rich and deep red, with gilt ornaments, with the circles formed by the foils. The panels are arched, the form being what may be termed the second, or Decorated period of Pointed architecture, the heads filled in with a cinquefoil moulding, of an apparent later date than the original screen, and painted and gilt in a rather meretricious, or perhaps what may be termed a bad-taste style. I shall now proceed to enumerate the figures, and describe them as well as I can.

2nd panel.—St. Catherine, sword in right hand, wheel in left, crowned head within a gold nimbus.
3. Female, hands placed with palms touching each other, the extremities of the fingers being together (by this I mean not clasped), a vase or urn at the feet, with plant growing from it (the plant is indistinct, but it is very probable may be intended for lilies, as there is the appearance of flowers), flowing hair; I suppose St. Mary of Egypt.
4. Winged figure, richly dressed, wings red and bluish green, kneeling, legs and feet naked, sceptre in left hand, turbaned, with ornamented cross rising from the centre of the turban, and a spiked ball or globe on each side, all gilt, hair flowing, feather hanging from sleeves.
5. St. Jude, with boat in right hand.
6. Apostle, with open book in left hand.
7. St. Philip, with basket of bread, right hand.
8. St. Thomas, with spear in right hand, attitude of prayer, standing.
9. St. James-the-More, staff in right hand.
10. Apostle, open book in left hand, I suppose St. Peter, from his countenance and figure, much defaced.
[These ten form the north part, or end of the screen, there being a continuation of the centre aisle through the screen, and no remains of door.]
11. Apostle, with clasped book in right hand, and sword in left, I suppose St. Paul, defaced.
12. St. Andrew leaning on his cross X.
13. St. John, palm-branch in right hand, and cup in left, with a serpent apparently issuing from cup. This emblem is much defaced.