(Fig. 7) MS. Cotton, fol. 57 v°. instance in fig. 2. The cut, fig. 7, represents an arrangement which is frequently repeated in the manuscript: the difference in the shades represents the two different colours with which it is painted. In fig. 1, we have seen a low round arch within a triangle. In fig. 8, we have a double arch, joining in a sort of pendant, similarly placed within a triangle. Fig. 9. represents a triangular tympanum. The first of these two last-mentioned figures appears, by the capitals, to be intended as part of a more richly decorated building than that to which the other belonged.
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(Fig. 8.) MS. Cotton, fol. 64, v°. |
(Fig. 9.) fol. 65, v°. |
I have already stated that triangular arches are found in the oldest parts of the abbey church of St. Alban's. They occur as windows in most of the steeple-towers of the character supposed to be Saxon, and are also found in some instances as door-ways. We have a door-way of this description in Barnack church, Northamptonshire, and another in Brigstock church, in the same county. Windows of this description are still more common. Of the following cuts, fig. 10. represents a door-way in the church of Barnack; fig. 11. a very curious belfry-window in the church of Deerhurst, in Gloucestershire;
