with squares, perhaps intended for chequy, the bearing of Reynes; he has knee-pieces, but no appearance of armour beneath them on the legs, nor on the arms which have been Coloured red; no spurs or straps remain: no bosses appear at the shoulders or elbows; the toes are pointed, but there is no appearance of sollerets. His head rests on two cushions; his right hand is in the attitude of sheathing the sword, which is entirely broken away, and there is no appearance of the swordbelt; with his left arm he holds a shield, semi-cylindrical and of the heater shape, but devoid of armorial device. His right leg is crossed over the left, and his feet rest on a dog.
The lady wears a veil over the head with a fillet encircling the temples, and another passing from the forehead over the crown. The veil, passing under the fillet, falls on each side the face down to the shoulders.
A wimple, or gorget, covers the neck and chin almost up to the under lip. The dress, low about the neck, falls in folds to the feet, which are remarkably small; the gown, or super-tunic, is sleeveless; there is no girdle. The hands are in the attitude of prayer, and the arms, or sleeves of the under dress, have been coloured red. The head rests on a double cushion, and the feet on a dog. The dimensions are as follows:—length of the effigies, 6 feet 1 inch; length of the tomb, 6 feet 5 inches.
There is neither date nor inscription on this monument, but the armorial bearings may assist us in determining whom it was intended to commemorate, if indeed the effigies and the tomb originally belonged to each other. Lipscomb assigns it to Sir Thomas Reynes and his wife, Cecilia, daughter of Sir Roger Tyringham, probably because the arms of Tyringham appear on the tomb.
