foot of the chalice, denounces an anathema on any one who should abstract it from the church of Rheims. A singular instance is here to be noticed of the heedlessness of the artificer, who, having erroneously repeated the word INVADIAVERIT, instead of effacing the blunder, drew a single line through the letters, and corrected it by engraving the right word above the line. A similar reluctance to make any erasion appears frequently in medieval MSS. The fine preservation of this chalice is very remarkable, especially as it lay for some time in the river Seine, having been part of the plunder abstracted from the Cabinet of Medals, a few years since. At the time when the author was permitted (in 1839) to make the drawing from which the annexed representation has been executed, there were still adherent to the filigree small stones and sand from the bed of the Seine.
Corpus Christi College, Oxford.
In the beautiful publications by Mr. Shaw, the Specimens of Ancient Church Plate, the Illustrations of the History of Medieval Art, by Du Sommerard, and other similar works, representations of many beautiful chalices may be found. Those which are preserved at Oxford, namely, one from St. Alban's Abbey, presented to Trinity College by Sir Thomas Pope, and the founder's chalice at Corpus Christi College[1], well deserve attention. Amongst the choice collections in Mr. Magniac's possession there is a beautiful specimen of Italian workmanship, of the fourteenth century, decorated with enamels, and inscribed ✠ ANDRƐA PƐTRUCI DƐ SƐNIS MƐ FƐCIT⋅ Mr. Shaw has given another, of similar character, bearing the name of another artificer of Sienna[2]; and Italian chalices, of great beauty, may be seen in the De Bruges, and other collections, at Paris. An interesting example of the form of the chalice in our own country, towards the close of the fifteenth century, is supplied by one in Lord Hatherton's possession, at Teddesley, discovered a few years since, concealed in the walls of the old Hall of Pillaton, near Penkridge. The prevalent
