for nothing, for happiness, simply as a man will sit contented in the companionship of the beloved object. For lunch I had the choice of two places, one Bohemian, the other select, even aristocratic, where I had still my reserved table in the petit salon, up the white staircase. In both places I had friends who treated my erratic appearances with discretion, in one case tinged with respect, in the other with a certain amused tolerance. I owed this tolerance to the most careless, the most confirmed of those Bohemians (his beard had streaks of grey amongst its many other tints) who, once bringing his heavy hand down on my shoulder, took my defence against the charge of being disloyal and even foreign to that milieu of earnest visions taking beautiful and revolutionary shapes in the smoke of pipes, in the jingle of glasses.
"That fellow (ce garcon) is a primitive nature, but he may be an artist in a sense. He has broken away from his conventions. He is trying to put a special vibration and his own notion of colour into his life; and perhaps even to give it a modelling according to his own ideas. And for all you know he may be on the track of a masterpiece; but observe: if it happens to be one nobody will see it. It can be only for himself. And even he won't be able to see it in its completeness except on his death-bed. There is something fine in that."
I had blushed with pleasure; such fine ideas had never entered my head. But there was something fine. . . . How far all this seemed! How mute and how still! What a phantom he was, that man with a beard of at least seven tones of brown. And those shades of the other kind such as Baptiste with the shaven diplomatic
