of breaking one's lance across one's opponent's body, instead of lengthways (Onions).
III. v. 7. dies and lives. Equivalent to live and die, i.e., subsist from the cradle to the grave (Arrowsmith).
III. v. 39. dark. I.e., 'If you depend upon your beauty to illuminate you, you will be left in the dark' (Wright).
III. v. 47. bugle. 'A tube shaped glass bead, usually black' (Murray).
III. v. 62. Foul . . . scoffer. Abbott paraphrases: 'foulness is most foul when its foulness consists in being a scoffer.'
III. v. 81. Dead shepherd. The 'saw' which Phebe quotes is from Marlowe's Hero and Leander, which was first printed in 1598. The 'dead shepherd' is therefore Marlowe (d. 1593) and the reference to the poem gives a possible clue to the date of this play.
III. v. 123. mingled damask. 'Damask' was applied both to roses and to a silken material. Here, of course, the phrase refers to a color. A 'mingled damask' rose would be flush pink in tint.
IV. i. 8. censure. I.e., 'Those who run to extremes either of mirth or melancholy expose themselves to the ill opinion of the everyday world worse even than do drunkards.'
IV. i. 40. swam . . . gondola. Venice was the Mecca of the young Elizabethan fop. Rosalind means that without these affectations which travelers usually bring back from abroad, it will be difficult for her to believe that Jaques has really been to Venice and ridden in a gondola.
IV. i. 100. Troilus. He was slain by Achilles. The 'Grecian club' is an invention of Rosalind's.
IV. i. 103. Leander. He was wont to swim the