which is rather weaker than the other, and every eleven out of twelve are greatly inclined to use the right foot, but if you keep on practising, it will not be long before you will be quite as proficient with your left as your right. To become a good artist you must study kicking the ball from any position or angle that it may come to you. There is what we call the drop kick, the free kick, the overhead kick, the place kick, and taking the ball on the run. The overhead kick is practically one to be avoided, except in a grave case of emergency, because you are never certain of it coming off, or of placing it to any advantage. The drop kick also takes a great deal of practice to be accomplished with anything like success, but the essential thing is to be able to keep the ball on the run and kick it where you desire. A back should be of a steady disposition and always keep cool, for if he loses his head he is of little or no use to the side. It is also necessary to know when to head or kick the ball. It is often imperative that a back, for the good of his side, should punt the ball over the touch-line, but when doing so he should not make a lusty kick and put it over the grand stand. All that is wanted is a gentle touch to the railings, which is the proper thing to do. As I have already remarked, to know how to head the ball is of the utmost importance, and it is effective in clearing the line, especially from corner kicks. Heading is quite an art of its own, and takes a long time to master. You should be able to get at the ball not only with the forehead, but with either side of the head.
