trap the ball. By doing so he gives the goalkeeper no possible chance of knowing where it is going. If he can do this while running at top speed, he will certainly be an artist in this department, and no one was better able to do this than Stephen Bloomer, the great International. I have often been asked what was the secret of his success, and I have always put it down to this reason: running at top speed and being able to give the ball—without slackening down—the final kick into the net. In the last decade the forward line was purely individualist, and there were certainly many giants of the game. Combination was, generally speaking, unknown, and every forward was quite on his own. The forward line is now a combined one, and in one way it is more effective than the old style. It is hardly possible to get a blending of both, but it can be done, and if a team are fortunate enough to do so they would certainly come out on top at the end of the season. It is a recognised fact that the forward play of to-day is rather too mechanical, and we miss the individual efforts that we used to appreciate so very much in the days gone by. Naturally, the centre forward is the connecting link of the rank. He should be tall, a fine dribbler, and more often an individualist than any of his comrades. He should also be able to keep his wings well together, and distribute the play to the best advantage, and most of all to be a fine shot. The inside forwards should do what is called "the donkey work," to fetch and carry, and to help the half-backs when they are in a dilemma. Theirs is the most thankless job of
