loosed some of the birds. These, finding no food nor place to alight on, returned to the ship. A few days later Xisuthros again let them free, but they returned again to the vessel, their feet full of mud. Finally, loosed the third time, the birds came no more back. Then Xisuthros understood that the earth was bare. He made an opening in the roof of the ship, and saw that it had grounded on the top of a mountain. He then descended with his wife, his danghter, and his pilot, who worshipped the earth, raised an altar, and there sacrificed to the gods; at the same moment he vanished with those who accompanied him.
Meanwhile those who had remained in the vessel, not seeing Xisuthros return, descended too, and began to seek him, calling him by his name. They saw Xisuthros no more; but a voice from heaven was heard commanding them piety toward the gods; that he, indeed, was receiving the reward of his piety in being carried away to dwell thenceforth in the midst of the gods, and that his wife, his daughter, and the pilot of the ship shared the same honor. The voice further said that they were to return to Babylon, and, conformably to the decrees of fate, disinter the writings buried at Sippara in order to transmit them to men. It added that the country in which they found themselves was Armenia. These, then, having heard the voice, sacrificed to the gods and returned on foot to Babylon. Of the vessel of Xisuthros, which had finally landed in Armenia, a portion is still to be found in the Gordyan Mountains in Armenia, and pilgrims bring thence asphalte that they have scraped from its fragments. It is used to keep off the influence of witchcraft. As to the companions of Xisuthros, they came to Babylon, disinterred the writings left at Sippara, founded numerous cities, built temples, and restored Babylon."
"By the side of this version," says Lenormant, "which, interesting though it be, is, after all, second-hand, we are now able to place an original Chaldeo-Babylonian edition, which the lamented George Smith was the first to decipher on the cuneiform tablets exhumed at Nineveh, and now in the British Museum. Here the narrative of the Deluge appears as an episode in the eleventh tablet, or eleventh chant of the great
