December 23. After so long neglecting thee, my dear book, it would be difficult to enter a connected account of my time, but I will trace the prominent parts of the lapse. Painting every day, and I may well add constantly, has been the main occupation. I have (what I call) finished my two large pictures of the Eagle and the Lamb, and the Dog and the Pheasants, and now, as usual, can scarce bear to look at either. My friends the Swainsons have often been to see me, and good Bentley came and lived with me for a month as a brother would. I parted from him yesterday with pain and regret. Several artists have called upon me, and have given me false praises, as I have heard afterwards, and I hope they will keep aloof. It is charity to speak the truth to a man who knows the poverty of his talents and wishes to improve; it is villanous to mislead him, by praising him to his face, and laughing at his work as they go down the stairs of his house. I have, however, applied to one whom I know to be candid, and who has promised to see them, and to give his opinion with truth and simplicity; this is no other, my Lucy, than the president of the Royal Academy, Sir Thomas Lawrence. The steady work and want of exercise has reduced me almost to a skeleton; I have not allowed myself the time even to go to the Zoölogical Gardens.
December 26. I dined yesterday (another Christmas day away from my dear country) at a Mr. Goddard's; our company was formed of Americans, principally sea-captains. During my absence Sir Thomas Lawrence came to see my paintings, which were shown to him by Mr. Havell, who reported as follows. On seeing the Eagle and Lamb he said, "That is a fine picture." He examined it closely, and was shown that of the Pheasants, which I call "Sauve qui peut." He approached it, looked at it sideways, up and down, and put his face close to the canvas, had it moved from one situation to two others in
