wondering what I should do with the rest of the day; and presently it chanced that my eye caught the announcement of a matinee at the theatre in Sloane Square. It was quite a long time since I had been at a theatre, and, as the play—light comedy—seemed likely to satisfy my not very critical taste, I decided to devote the afternoon to reviving my acquaintance with the drama. Accordingly as soon as my lunch was finished, I walked down the Brompton Road, stepped on to an omnibus, and was duly deposited at the door of the theatre. A couple of minutes later I found myself occupying an excellent seat in the second row of the pit, oblivious alike of my recent disappointment and of Thorndyke's words of warning.
I am not an enthusiastic play-goer. To dramatic performances I am disposed to assign nothing further than the modest function of furnishing entertainment. I do not go to a theatre to be instructed or to have my moral outlook elevated. But, by way of compensation, I am not difficult to please. To a simple play, adjusted to my primitive taste, I can bring a certain bucolic appreciation that enables me to extract from the performance the maximum of enjoyment; and when, on this occasion, the final curtain fell and the audience rose, I rescued my hat from its insecure resting-place and turned to go with the feeling that I had spent a highly agreeable afternoon.
Emerging from the theatre, borne on the outgoing stream, I presently found myself opposite
