"I can see that he has a wig on, quite plainly," said I.
"Yes; but you would not in a dimly lighted room. On the other hand, if Polton were to walk down Fleet Street at mid-day in this condition, the make-up would be conspicuously evident to any moderately observant passer-by. The secret of making up consists in a careful adjustment to the conditions of light and distance in which the make-up is to be seen. That in use on the stage would look ridiculous in an ordinary room; that which would serve in an artificially lighted room would look ridiculous out of doors by daylight."
"Is any effective make-up possible out of doors in ordinary daylight?" I asked.
"Oh, yes," replied Thorndyke. "But it must be on a totally different scale from that of the stage. A wig, and especially a beard or moustache, must be joined up at the edges with hair actually stuck on the skin with transparent cement and carefully trimmed with scissors. The same applies to eyebrows; and alterations in the color of the skin must be carried out much more subtly. Polton's nose has been built up with a small covering of toupée-paste, the pimples on the cheeks produced with little particles of the same material; and the general tinting has been done with grease-paint with a very light scumble of powder colour to take off some of the shine. This would be possible in outdoor make-up, but it would have to be done with the greatest care and delicacy; in fact, with what the art-critics call 'reticence.'
