pumpkin vine, a perfect chord, a harmony, but no melody. They are not of equal fineness of tone. For the most part I find that in another man and myself the keynote is not the same, so that there are no perfect chords in our gamuts. But if we do not chord by whole tones, nevertheless his sharps are sometimes my flats, and so we play some very difficult pieces together, though the sameness at last fatigues the ear. We never rest on a full natural note, but I sacrifice my naturalness, and he his. We play no tune through, only chromatic strains, or trill upon the same note till our ears ache.
Oct. 20, 1852. The clouds have lifted in the northwest, and I see the mountains in sunshine (all the more attractive from the cold I feel here), with a tinge of purple on them,—a cold, but memorable and glorious outline. This is an advantage of mountains in the horizon; they show you fair weather from the midst of foul. Many a man, when I tell him that I have been upon a mountain, asks if I took a glass with me. No doubt I could have seen further with a glass, and particular objects more distinctly; could have counted more meeting-houses; but this has nothing to do with the peculiar beauty and grandeur of the view which an elevated position affords. It was not to see a few particular objects as if they were near at hand, as I had been
