of the fire. The fishermen can be seen only near at hand, though their fire is visible far away, and then they appear as dusky, fuliginous figures, half enveloped in smoke, seen only by their enlightened sides. Like devils they look, clad in old clothes to defend themselves from the fogs, one standing up forward holding the spear ready to dart, while the smoke and flames are blown in his face, the other paddling the boat slowly and silently along close to the shore with almost imperceptible motion. . . .
Now the fishermen's fire left behind becomes a star. As surely as the sunlight falling through an irregular chink makes a round figure on the opposite wall, so the blaze at a distance appears a star. Such is the effect of the atmosphere. The bright sheen of the moon is constantly traveling with us, and is seen at the same angle in front on the surface of the pads, and the reflection of its disk on the rippled water by our boat-side appears like bright gold pieces falling on the river's counter.
Oct. 6, 1857. I have just read Ruskin's "Modern Painters." I am disappointed in not finding it a more out-of-door book, for I had heard that such was its character. But its title might have warned me. He does not describe nature as nature, but as Turner painted her. Although the work betrays that he has given
