turns to the lower, that he gives woman existence. The acceptance of the Phallus is immoral. It has always been thought of as hateful; it has been the image of Satan, and Dante made it the central pillar of hell.
Thus comes about the domination of the male sexuality over the female. It is only when man is sexual that woman has existence and meaning.
Her existence is bound up with the Phallus, and so that is her supreme lord and welcome master.
Sex, in the form of man, is woman's fate; the Don Juan is the only type of man who has complete power over her.
The curse, which was said to be heavy on woman, is the evil will of man: nothing is only a tool in the hand of the will for nothing. The early Fathers expressed it pathetically when they called woman the handmaid of the devil. For matter in itself is nothing, it can only obtain existence through form. The fall of "form" is the corruption that takes place when form endeavours to relapse into the formless. When man became sexual he formed woman. That woman is at all has happened simply because man has accepted his sexuality. Woman is merely the result of this affirmation; she is sexuality itself. Woman's existence is dependent on man; when man, as man, in contradistinction to woman, is sexual, he is giving woman form, calling her into existence. Therefore woman's one object must be to keep man sexual. She desires man as Phallus, and for this she is the advocate of pairing. She is incapable of making use of any creature except as a means to an end, the end being pairing; and she has but one purpose, that of continuing the guilt of man, for she would disappear the moment man had overcome his sexuality.
Man created woman, and will always create her afresh, as long as he is sexual. Just as he gives woman consciousness, so he gives her existence. Woman is the sin of man.
He tries to pay the debt by love. Here we have the explanation of what seemed like an obscure myth at the end of the previous chapter. Now we see what was hidden in
