stranger when he observed here and there, in places where architecture had scarcely space or light to be seen, fountains of the most elegant design and workmanship; doorways of white marble, most elaborately and beautifully carved; and entrance-halls that resembled courts of the Alhambra in miniature.
When one first sees such things they induce surprise, but the surprise evaporates when we reflect that these pirates had at their command the services of thousands of slaves, many of whom represented the artistic talent of the civilized world.
Passing rapidly along these narrow streets, and bending his tall form when he came to low archways, Bacri at length emerged on the chief "high street" of the town, which, entering at the north, or Bab-el-Oued gate, completely traversed the city under that name as far as the Dey's palace, where it changed its name to Bab-Azoun, and terminated at the south gate of the same name.
In this street was the Bagnio, already mentioned as being the prison of the government slaves.
Here Bacri paused, drew a glittering coin from his pocket, and knocked at a strong oaken door. A janissary opened, and roughly demanded his business, but changed his tone at once, and gave the Jew admission on receiving the coin.
Passing through a lobby, whose marble pillars were sadly broken and disfigured, the Jew entered a
