The gates were monstrosities of elaborate iron scrollwork, craftsmanship clever enough in its way, but of an ornate kind more in keeping with the orange trees of the South than with this wooded Surrey countryside.
A very surly-looking girl, quite obviously un-English (a daughter of Pedro, the butler, I learned later), opened the gates, and we entered upon a winding drive literally tunnelled through the trees. Of the house we had never a glimpse until we were right under its walls, nor should I have known that we were come to the main entrance if the car had not stopped.
“Looks like a monastery,” muttered Harley.
Indeed that part of the building—the north front—which was visible from this point had a strangely monastic appearance, being built of solid gray blocks and boasting only a few small, heavily barred windows. The eccentricity of the Victorian gentleman who had expended thousands of pounds upon erecting this house was only equalled, I thought, by that of Colonel Menendez, who had chosen it for a home. An out-jutting wing shut us in on the west, and to the east the prospect was closed by the tallest and most densely grown box hedge I had ever seen, trimmed most perfectly and having an arched opening in the centre. Thus, the entrance to Cray’s Folly lay in a sort of bay.
But even as we stepped from the car, the great church-like oaken doors were thrown open, and there, framed in the monkish porch, stood the tall, elegant figure of the Colonel.
“Gentlemen,” he cried, “welcome to Cray’s Folly.”
He advanced smiling, and in the bright sunlight seemed even more Mephistophelean than he had seemed in Harley’s office.
“Pedro,” he called, and a strange-looking Spanish
