be one distinct feeling running through it all, are far more characteristic than commonplace sofas and chairs. If one must have large armchairs in a boudoir, or in a bedroom, here is one (Fig. 26) which is big enough in all conscience, and yet would go more harmoniously with an old-fashioned room than any fat and dumpy modern chair. If, on the other hand, the house in general, and this particular room, chances to be essentially in the style of the present day, then you would naturally choose some of the comfortable modern easy-chairs, taking care to avoid the shapes which are a mass of padded and cushioned excrescences. But modern armchairs can be very pretty, and I know several which are low and long, and straight and unassuming, and which yet preserve quite a good distinct outline. Such chairs as these are a sort of half-way house between bed and board, between absolute rest and uncomplaining unrest; famous places for thinking, for watching, for chatting, and, above all, for dozing.
The bedrooms I am thinking of and writing about have, we must bear in mind, a certain element of the bower or boudoir or private sitting-room in them, and so I must stand excused for a suggestion about a place for books or music. Here is a delightful corner for a piano (Fig. 27), but sometimes such a thing is out of the question, and
