bedrooms. They are made in a hundred different and almost equally pretty designs. Essentially modern quilts for summer can be made of lace or muslin over pink or blue batiste or silk to match the tints of the room; quilts of linen embroidered with deliciously artistic bunches of fruit or flowers at the edge and corners; quilts of eider-down covered with silk, for preference, or if our means will not permit so costly a material, then of one colour, such as Turkey red, in twilled cotton. I have never liked those gay imitation Indian quilts. They generally "swear" at everything else in the room.
But there are still more beautiful quilts of an older style and date. I have seen some made of coarse linen, with a pattern running in parallel strips four or six inches wide, formed by pulling out the threads to make the groundwork of an insertion. The same idea looks well also when carried out in squares or a diamond-shaped pattern. Then there are lovely quilts of muslin embroidered in delicate neutral tints, which look as if they came straight from Cairo or Bagdad, but which have never been out of England, and owe their lightness and beauty to the looms of Manchester.
One of the prettiest and simplest bedrooms I know had its walls covered with lining paper of
