him at Monte Carlo and other places. But no, each time we meet he looks at us as if he was a fish. He does not even nod!"
"When the Comte de Virieu is actually playing, he does not know that other people exist," said Anna Wolsky, slowly.
She had looked across at Sylvia and noticed her English friend's blush and look of embarrassment. "I used to watch him two years ago at Monte Carlo, and I have never seen a man more absorbed in his play."
"That is no excuse!" cried Madame Wachner, scornfully. "Besides, that is only half the truth. He is ashamed of the way he is spending his life, and he hates the people who see him doing it! It is shameful to be so idle. A strong young man doing nothing, living on charity, so they say! And he despises all those who do what he himself is not ashamed to do."
And Sylvia, looking across at her, said to herself with a heavy sigh that this was true. Madame Wachner had summed up Count Paul very accurately.
At last there came the sound of a carriage in the quiet lane outside.
"Fritz! Go and see if that is the carriage I ordered to come here at nine o'clock," said his wife sharply; and then, as he got up silently to obey her, she followed him out into the passage, and Sylvia, who had very quick ears, heard her say, in low, vehement tones, "I work and work and work, but you do nothing! Do try and help me—it is for your sake I am taking all this trouble!"
What could these odd words mean? At what was Madame Wachner working?
