upon the epic he sought to materialize; he had simply made a servant of Nature—art can go no further. So the cunning son of Jupiter and Callisto built the old Arcadia; and in this, as in that, the genius was Greek.
From the bridge Ben-Hur went forward into the nearest valley.
He came to a flock of sheep. The shepherd was a girl, and she beckoned him, "Come!"
Farther on, the path was divided by an altar—a pedestal of black gneiss, capped with a slab of white marble deftly foliated, and on that a brazier of bronze holding a fire. Close by it, a woman, seeing him, waved a wand of willow, and as he passed called him, "Stay!" And the temptation in her smile was that of passionate youth.
On yet farther, he met one of the processions; at its head a troop of little girls, nude except as they were covered with garlands, piped their shrill voices into a song; then a troop of boys, also nude, their bodies deeply sun-browned, came dancing to the song of the girls; behind them the procession, all women, bearing baskets of spices and sweets to the altars—women clad in simple robes, careless of exposure. As he went by they held their hands to him, and said, "Stay, and go with us." One, a Greek, sang a verse from Anacreon:
"For to-day I take or give;
For to-day I drink and live;
For to-day I beg or borrow;
Who knows about the silent morrow?"
But he pursued his way indifferent, and came next to a grove luxuriant, in the heart of the vale at the point where it would be most attractive to the observing eye. As it came close to the path he was travelling, there was a seduction in its shade, and through the foliage he caught the shining of what appeared a pretentious statue; so he turned aside, and entered the cool retreat.
The grass was fresh and clean. The trees did not crowd each other; and they were of every kind native to the East, blended well with strangers adopted from far quarters; here grouped in exclusive companionship palm-trees plumed like queens; there sycamores, overtopping laurels of dark-
