moreover, may attain a special profundity of its own when it discloses not merely a professional practice, but a fault in character. Recall to mind the scenes in the Faux Bonshommes and the Famille Benoiton, where marriage is dealt with as a business affair, and matters of sentiment are set down in strictly commercial language.
Here, however, we reach the point at which peculiarities of language really express peculiarities of character, a closer investigation of which we must hold over to the next chapter. Thus, as might have been expected and may be seen from the foregoing, the comic in words follows closely on the comic in situation and is finally merged, along with the latter, in the comic in character. Language only attains laughable results because it is a human product, modelled as exactly as possible on the forms of the human mind. We feel it contains some living element of our own life; and if this life of language were complete and perfect, if there were nothing stereotype in it, if, in short, language were an absolutely unified organism incapable of being split up into independent organisms, it would evade the comic as would
