he has been changed several times since 1847 …"
All these witticisms are constructed on the same model. We might make up any number of them, when once we are in possession of the recipe. But the art of the story-teller or the playwright does not merely consist in concocting jokes. The difficulty lies in giving to a joke its power of suggestion, i.e. in making it acceptable. And we only do accept it either because it seems to be the natural product of a particular state of mind or because it is in keeping with the circumstances of the case. For instance, we are aware that M. Perrichon is greatly excited on the occasion of his first railway journey. The expression "to occur" is one that must have cropped up a good many times in the lessons repeated by the girl before her father; it makes us think of such a repetition. Lastly, admiration of the governmental machine might, at a pinch, be extended to the point of making us believe that no change takes place in the prefect when he changes his name, and that the function gets carried on independently of the functionary.
We have now reached a point very far from
