"gifts of grace divine" as these uncommon protuberances should be so sensitive to the blaze and blare of publicity. One would expect that in the fierce light that beats about an uncommon nose its fortunate owner would bask as contentedly as a python in the noon- day sun, happy in the benign beam and proud of every inch of his revealed identity.
To art, effacement of the nose will be of inestimable benefit. In statuary, for example, we shall be able to hurl a qualified defiance at Time the iconoclast, who now hastens to assail our cherished carven images in that most vulnerable part, the nose, tweaking it off and throwing it away almost before the sculptor's own nose is blue and cold beneath the daisies. In the statue of the future there will be no nose, consequently no damage to it; and although the statue may when new and perfect differ but little from the mutilated antiques that we now have, there will be a certain satisfaction in knowing that it has not been " retouched." In the case of portrait- statues and busts the advantage is obvious. When the nose goes the likeness goes with it; all men will look pretty nearly alike, and a bust or statue will serve about as well for one man as for another,
