THE POEMS OF WILLIAM BLAKE 267 am writing than the sketch of Lazarus in Browning's " Epistle of Karshish, an Arab Physician." EHzabeth Barrett Browning, also, had much of it, yet never succeeded in giving it fair expression. The long study of her sick-bed (and her constant chafing against the common estimate of the talents and genius of her sex) overcharged her works with allusions and thoughts relating to books, and made her style rugged with pedantry. She ^ was often in- toxicated, too, with her own vehemence. "Aurora Leigh " sets out determined to walk the world with the great Shakespearian stride, whence desperate entanglement of feminine draperies and blinding swirls of dust. The sonnets entitled "From the Portuguese " reveal better her inmost simple nature. Emerson stands closest of all in relation to Blake, his verse as well as his essays and lectures being little else than the expression of this mystical simplicity. Were he gifted with the singing voice we should not have to look to the future for its supreme bard. But whenever he has sung a few clear sweet notes, his voice breaks, and he has to recite and speak what he would fain chant. His studies, also, have somewhat injured his style with technicology, making him in his own despite look at Nature through the old church and school windows, often when he should be with her in the rustic air. In some of his shorter poems, however, and in the snatches of Orphic song prefixed to some of his essays (as "Compensation," "Art," " History," " Heroism "), any one with ears to hear may catch pregnant hints of what poetry possessed by this inspiration can accomplish, and therefore will accomplish; for no pure inspiration having once
