44 CAVALLINO— CEERINL scale, on oanyas and on copper. His pic- tares are rare, except in the collections of Naples and in Spain. (Dominici.) CAVALUCCI, Antonio, b. at Sermo- neta, 1752, d, at Rome, 1795. A painter of tiie modem Roman School. He painted, originally, miniature, and be- eame the rival of Mengs and Batoni, at Rome: he excelled chiefly as a colonrist The family of the Gaetini at Rome, possess some of his works, and in the Palazzo Cesarini is a Ve- nus and Ascanius. San Francesco di Paola, in the Casa Santa, at Loreto, and Santa Bona, in the cathedral at Pisa, are considered his master-pieces. {Lami.) CAVAZZONI, Francesco, b. at Bo- logna, 1559, living in 1612. Bolognese School. Studied first under Bartolom- meo Passerotti, and later, in the school of Ludovico Carraeci. His pictures have the characteristic good drawing and good colouring of the school of the Carraeci. Works, Bologna, Santa Madalena di Via, the Magdalen at the Feet of Christ; St. Cecilia; the Crucifixion: San Giovanni, in Monte, St John preaching. ( Grespi. ) CAVEDONE, Jacopo, b. at Sassuolo, in the Modenese, 1577, d. at Bologna, 1660. Bolognese School. An able scholar of the Carraeci. In his best works, he imitated successfully the colouring of Titian; his later works are inferior, owing to his many misfor- tunes ; he died in a state of extreme indigence. Wofka, Bologna, Academy, the Vir- gin and Child in glory, San Petronio and other Saints, his master - piece, painted in 1614 ; San Pietro Martire : San Paolo, the Nativity and the Adora- tion of the Magi. Paris, Louvre, St. Cecilia before t^e organ. {Tirahoschiy CHordani.) CECCO DI Mabtino, painted about 1880. Sienese School. CELESTI, Car. Andkea, ft. at Ve- nice, 1637, d. 1706. Venetian School Pupil of Matteo Ponzone. In his flowing outline and gorgeous draperies, he seems to have taken Paul Veronese as his model ; his colouring is rich, but too positive, the middle tints having disappeared in some of his pictures, perhaps owing to the practice of paint- ing on dark grounds. He painted his- toiy, sacred and profane, landscapes, genre; and cabinet-pieces, gallery-pieces, and altar-pieces ; and was distinguished for a surprising facility of execution. In the Church of the Ascension at Ve- nice is the Adoration of the Magi, by Celesti ; but he is now nowhere better seen than in the Gallery at Dresden. Works. Bacchus and Ceres; Sam- son delivered into the power of the Philistines ; the Murder of the Inno- cents ; and the Adoration of the Golden Calf. (Boschini.) CERQUOZZI, M1CHET.ANGE1.0, call- ed Michelangelo delle Battaglie, ft. at Rome, 1602, d. 1660. Roman School A pupil of Pietro Paolo Bonsi, il Gobbo de' Carraeci. Cerquozzi was a cele- brated genre and battle painter; he painted also fruit and flowers. Cer- quozzi has also the surname of deUe Bambocciate; he was a complete and successful imitator of Peter Xiaar; in his style of colouring, he belongs to the tenebrosi. His master-piece was considered Masaniello in the Market- place at Naples, now in the Spada Pa- lace, Rome. Works. Rome, Sal^ati Palace, the four Seasons : Spada Palace, Masani- ello ; the Dead Ass. Berlin Museum, the Entrance of the Pope into Home. Louvre, an Italian Masquerade. {Pas- sert.) CERRINI, Gio. DoMENico, called n Cavaliere Perugino, b. Oct. 24, 1609, d. 1681. Roman School. A pupil of Scaramnecia and of Guide. His pic- tures, it is reported, were frequently
