The great seal is again asleep upon his rock (it seems to belong to him and the common one in turn), and looking down upon him, now, from the tops of the cliffs, through the glasses, there does not appear to be any admixture of brown whatever in the shade of his fur. Wherever the light falls upon it, it is an absolute silver, and, where in shadow, tends to shade a little into the colouring of a very light-skinned mole. But this last is merely an effect: the real colouring is, I believe, a uniform silver—very pretty indeed, where the light catches it. The fur seems close and thick—very mole-like in texture—the general appearance, indeed, is very much that of a gigantic mole, if only the head, the character of which is different, be not well seen. In the water, however, when more or less immersed, even the head partakes of this resemblance, or lends itself to it, and the whole animal becomes "perfect mole'' ("mine eye hath well examined his parts, and finds him perfect Richard"). In itself however, the head is not mole-like—as may well be believed—but, when held in some positions, looks remarkably like that of a polar-bear—a resemblance much more à la Richard. He seems extremely fat—Falstaff's "three fingers on the ribs," I should say, at the very least.
A common seal has now, once or twice, swum close round him, and looks a mere pigmy by comparison. This latter may not be a large seal—I do not think he is—still, the juxtaposition of the two gives me a better idea of Falstaff's proportions than I had before. He
