acter altogether, but much more interesting to see than they are easy to describe. The birds are now paired, or in process of becoming so, and it is fashionable for two of them to walk side by side, and very close together, with little gingerly steps, as though "keeping company." They seem very much en rapport with each other—sehr einig as the Germans would say—also to have a mutual sense of their own and each other's importance, of the seemly and becoming nature of what they are doing, and (this above all) of the great value of deportment. Something there is about them—now even more than at other times—very odd, quaint, old-world, old-fashioned. The last best describes it; they are old-fashioned birds. Were the world occupied in watching them, and were they occasionally to overhear themselves being talked about, they would catch that word as often as did little Paul Dombey.
Whilst watching a couple walking side by side in this way that I have described, one of them may be seen to bend stiffly forward till the beak just touches the ground, the tail and after part of the body being elevated in the air. The other stands by, and appears both interested in and edified by the performance, and when it is over both walk on as before. Or a bird may be seen to act thus whilst walking alone, upon which another will come running from some distance towards it, as though answering to a summons or to some quite irresistible form of appeal. Upon coming close up to the rigid bird this other one stops, and turning suddenly, but also setly and rigidly, round, makes a curious little run away from it with lowered head and precise formal steps,
