Be thou the tenth Muse, ten times more in worth
Than those old nine which rhymers invocate;
And he that calls on thee, let him bring forth
Eternal numbers to outlive long date'
—and pointing out how completely it corroborated his theory; and indeed he went through all the Sonnets carefully, and showed, or fancied that he showed, that, according to his new explanation of their meaning, things that had seemed obscure, or evil, or exaggerated, became clear and rational, and of high artistic import, illustrating Shakespeare's conception of the true relations between the art of the actor and the art of the dramatist.
"It is of course evident that there must have been in Shakespeare's company some wonderful boy-actor of great beauty, to whom he intrusted the presentation of his noble heroines; for Shakespeare was a practical theatrical manager as well as an imaginative poet, and Cyril Graham had actually discovered the boy-actor's name. He was Will, or, as he preferred to call him, Willie Hughes. The Christian name he found of course in the punning sonnets, cxxxv. and cxliii.; the surname was, according to him, hidden in the eighth line of the 20th Sonnet, where Mr W. H. is described as—
"'A man in hew, all Hews in his controwling.'
"In the original edition of the Sonnets "Hews" is printed with a capital letter and in italics, and this, he claimed, showed clearly that a play on words was intended, his view receiving a good deal of corroboration from those sonnets in which curious puns are made on the words 'use' and 'usury.' Of course I was converted at once, and Willie Hughes became to me as real a person as Shakespeare. The only objection I made to the theory was that the name of Willie Hughes does not occur in the list of the actors of Shakespeare's company as it is printed in the first folio. Cyril, however, pointed out that the absence of Willie Hughes's name from this list really corroborated the theory, as it was evident from Sonnet lxxxvi. that Willie Hughes had abandoned Shakespeare's company to play at a rival theatre, probably in some of Chapman's plays. It is in reference to this that in the great sonnet on Chapman Shakespeare said to Willie Hughes—
"'But when your countenance filled up his line,
Then lacked I matter; that enfeebled mine'—
the expression 'when your countenance filled up his line' referring obviously to the beauty of the young actor giving life and reality and added charm to Chapman's verse, the same idea being also put forward in the 79th Sonnet—
"'Whilst I alone did call upon thy aid,
My verse alone had all thy gentle grace.
But now my gracious numbers are decayed,
And my sick Muse does give another place;'
and in the immediately preceding sonnet, where Shakespeare says,
"'Every alien pen has got my use
And under thee their poesy disperse.'
the play upon words (use = Hughes) being of course obvious, and the phrase 'under thee their poesy disperse,' meaning 'by your assistance as an actor bring their plays before the people.'
