deliver for your good, because you are not a stick, or a staff, or a stock, or a stone, or a post, or a pillar.
To be a soaring human boy!
And do you cool yourself in that stream now, my young friend? No. Why do you not cool yourself in that stream now? Because you are in a state of darkness, because you are in a state of obscurity, because you are in a state of sinfulness, because you are in a state of bondage. My young friend, what is bondage? Let us, in a spirit of love, inquire.”
At this threatening stage of the discourse, Jo, who seems to have been gradually going out of his mind, smears his right arm over his face, and gives a terrible yawn. Mrs. Snagsby indignantly expresses her belief that he is a limb of the arch-fiend.
“My friends,” says Mr. Chadband, with his persecuted chin folding itself into its fat smile again as he looks round, “it is right that I should be humbled, it is right that I should be tried, it is right that I should be mortified, it is right that I should be corrected. I stumbled, on Sabbath last, when I thought with pride of my three hours' improving. The account is now favorably balanced; my creditor has accepted a composition. O let us be joyful, joyful! O let us be joyful!”
Great sensation on the part of Mrs. Snagsby.
“My friends,” says Chadband, looking round him, in conclusion, “I will not proceed with my young friend now. Will you come to-morrow, my young friend, and enquire of this good lady where I am to be found to deliver a discourse untoe you, and will you come like the thirsty swallow upon the next day, and upon the day after that, and upon the day after that, and upon many pleasant days, to hear discourses?” (This, with a cow-like lightness.)
Jo, whose immediate object seems to be to get away on any terms, gives a shuffling nod. Mr. Guppy then throws him a penny, and Mrs. Snagsby calls to Guster to see him safely out of the house. But, before he goes down stairs, Mr. Snagsby loads him with some broken meats from the table, which he carries away, hugging in his arms. So, Mr. Chadband—of whom the persecutors say that it is no wonder he should go on for any length of time uttering such abominable nonsense, but that the wonder rather is that he should ever leave off, having once the audacity to begin—retires into private life until he invests a little capital of supper in the oil-trade. Jo moves on, through the long vacation, down to Blackfriars Bridge, where he finds a baking stony comer, wherein to settle to his repast.
And there he sits, munching and gnawing, and looking up at the great Cross on the summit of St. Paul's Cathedral, glittering above a red and violet-tinted cloud of smoke. From the boy's face one might suppose that sacred emblem to be, in his eyes, the crowning confusion of the great, confused city; so golden, so high up, so far out of his reach. There he sits, the sun going down, the river running fast, the crowd flowing by him in two streams—everything moving on to some purpose and to one end—until he is stirred up, and told to “move on” too.
