His spirit shone through his son, to whom he had always preached of “going out” early in life, and whom he made a clerk in a sharp scrivener's office at twelve years old. There, the young gentleman improved his mind, which was of a lean and anxious character; and, developing the family gifts, gradually elevated himself into the discounting profession. Going out early in life and marrying late, as his father had done before him, he too begat a lean and anxious-minded son; who, in his turn, going out early in life and marrying late, became the father of Bartholomew and Judith Smallweed, twins. During the whole time consumed in the slow growth of this family tree, the house of Smallweed, always early to go out and late to marry, has strengthened itself in its practical character, has discarded all amusements, discountenanced all story-books, fairy tales, fictions, and fables, and banished all levities whatsoever. Hence the gratifying fact, that it has had no child born to it, and that the complete little men and women whom it has produced, have been observed to bear a likeness to old monkeys with something depressing on their minds.
At the present time, in the dark little parlor certain feet below the level of the street—a grim, hard, uncouth parlor, only ornamented with the coarsest of baize table-covers, and the hardest of sheet-iron tea-trays, and offering in its decorative character no bad allegorical representation of Grandfather Smallweed's mind—seated in two black horsehair porter's chairs, one on each side of the fire-place, the superannuated Mr. and Mrs. Smallweed wile away the rosy hours. On the stove are a couple of trivets for the pots and kettles which it is Grandfather Smallweed's usual occupation to watch, and projecting from the chimney-piece between them is a sort of brass gallows for roasting, which he also superintends when it is in action. Under the venerable Mr. Smallweed's seat, and guarded by his spindle legs, is a drawer in his chair, reported to contain property to a fabulous amount. Beside him is a spare cushion, with which he is always provided, in order that he may have something to throw at the venerable partner of his respected age whenever she makes an allusion to money—a subject on which he is particularly sensitive.
“And where's Bart?” Grandfather Smallweed enquires of Judy, Bart's twin-sister.
“He an't come in yet,” says Judy.
“It's his tea time, isn't it?”
“No.”
“How much do you mean to say it wants then?”
“Ten minutes.”
“Hey?”
“Ten minutes."—(Loud on the part of Judy.)
“Ho!” says Grandfather Smallweed. “Ten minutes.”
Grandmother Smallweed, who has been mumbling and shaking her head at the trivets, hearing figures mentioned, connects them with money, and screeches, like a horrible old parrot without any plumage, “Ten ten-pound notes!”
Grandfather Smallweed immediately throws the cushion at her.
“Drat you, be quiet!” says the good old man.
The effect of this act of jaculation is twofold. It not only doubles up Mrs. Smallweed's head against the side of her porter's chair, and causes her to present, when extricated by her grand-daughter, a highly unbe-
