While the twain are faithful to their post, Mr. George strides through the streets with a massive kind of swagger and a grave-enough face. It is eight o'clock now, and the day is fast drawing in. He stops hard by Waterloo Bridge, and reads a playbill; decides to go to Astley's Theatre. Being there, is much delighted with the horses and the feats of strength; looks at the weapons with a critical eye; disapproves of the combats, as giving evidences of unskilful swordsmanship; but is touched home by the sentiments. In the last scene, when the Emperor of Tartary gets up into a cart and condescends to bless the united lovers, by hovering over them with the Union-Jack, his eye-lashes are moistened with emotion.
The theatre over, Mr. George comes across the water again, and makes his way to that curious region lying about the Haymarket and Leicester Square, which is a centre of attraction to indifferent foreign hotels and indifferent foreigners, racket-courts, fighting-men, swordsmen, footguards, old china, gaming houses, exhibitions, and a large medley of shabbiness and shrinking out of sight. Penetrating to the heart of this region, he arrives, by a court and a long whitewashed passage, at a great brick building, composed of bare walls, floor, roof-rafters, and skylights; on the front of which, if it can be said to have any front, is painted George's Shooting Gallery, &c.
Into George's Shooting Gallery, &c., he goes; and in it there are gaslights (partly turned off now), and two whitened targets for rifle-shooting, and archery accommodation, and fencing appliances, and all necessaries for the British art of boxing. None of these sports or exercises are being pursued in George's Shooting Gallery to-night; which is so devoid of company, that a little grotesque man, with a large head, has it all to himself, and lies asleep upon the floor.
The little man is dressed something like a gunsmith, in a green baize apron and cap; and his face and hands are dirty with gunpowder, and begrimed with the loading of guns. As he lies in the light, before a glaring white target, the black upon him shines again. Not far off, is the strong, rough, primitive table, with a vice upon it, at which he has been working. He is a little man with a face all crushed together, who appears, from a certain blue and speckled appearance that one of his cheeks presents, to have been blown up, in the way of business, at some odd time or times.
“Phil!” says the trooper, in a quiet voice.
“All right!” cries Phil, scrambling to his feet.
“Anything been doing?”
'“Flat as ever so much swipes,” says Phil. “Five dozen rifle and a dozen pistol. As to aim!” Phil gives a howl at the recollection.
“Shut up shop, Phil!”
As Phil moves about to execute this order, it appears that he is lame, though able to move very quickly. On the speckled side of his face he has no eyebrow, and on the other side he has a bushy black one, which want of uniformity gives him a very singular and rather sinister appearance. Everything seems to have happened to his hands that could possibly take place, consistently with the retention of all the fingers; for they are notched, and seamed, and crumpled all over. He appears to be very strong, and lifts heavy benches about as if he had no idea what weight
