But in that house, in that same moment, there happens to be an old man of the name of Tulkinghorn. And that old man, coming with his quiet footstep to the library, has his hand at that moment on the handle of the door—comes in—and comes face to face with the young man as he is leaving the room.
One glance between the old man and the lady; and for an instant the blind that is always down flies up. Suspicion, eager and sharp, looks out. Another instant; close again.
“I beg your pardon, Lady Dedlock. I beg your pardon a thousand times. It is so very unusual to find you here at this hour. I supposed the room was empty. I beg your pardon!”
“Stay!” She negligently calls him back. “Remain here, I beg. I am going out to dinner. I have nothing more to say to this young man!”
The disconcerted young man bows, as he goes out, and cringingly hopes that Mr. Tulkinghorn of the Fields is well.
“Aye, aye?” says the lawyer, looking at him from under his bent brows; though he has no need to look again—not he. “From Kenge and Carboy's, surely?”
“Kenge and Carboy's, Mr. Tulkinghorn. Name of Guppy, sir.”
“To be sure. Why, thank you, Mr. Guppy, I am very well!”
“Happy to hear it, sir. You can't be too well, sir, for the credit of the profession.”
“Thank you, Mr. Guppy!”
Mr. Guppy sneaks away. Mr. Tulkinghorn, such a foil in his old-fashioned rusty black to Lady Dedlock's brightness, hands her down the staircase to her carriage. He returns rubbing his chin, and rubs it a good deal in the course of the evening.
CHAPTER XXXIV.
A Turn of the Screw.
“Now, what,” says Mr. George, “may this be? Is it blank cartridge, or ball? A flash in the pan, or a shot?”
An open letter is the subject of the trooper's speculations, and it seems to perplex him mightily. He looks at it at arm's length, brings it close to him, holds it in his right hand, holds it in his left hand, reads it with his head on this side, with his head on that side, contracts his eyebrows, elevates them; still, cannot satisfy himself. He smooths it out upon the table with his. heavy palm, and thoughtfully walking up and down the gallery, makes a halt before it every now and then, to come upon it with a fresh eye. Even that won't do. “Is it,” Mr. George still muses, “blank cartridge or ball?”
Phil Squod, with the aid of a brush and paint-pot, is employed in the distance whitening the targets; softly whistling, in quick-march time, and in drum-and-fife manner, that he must and he will go back again to the girl he left behind him.
