vived in its architecture, and even this was looked upon with contempt by the Austrian rulers.
In the beginning of the eighteenth century and up to the time of the Seven Years' War their architecture received splendid impetus, and the most beautiful buildings of Prague date from that period.
But towards the end of the eighteenth century, under the pressure of the German influence which was especially dominant in the reigns of Joseph II and Maria Theresa, Czech art was ruthlessly destroyed. Yet even now Prague is, perhaps, the most beautiful of all the capitals of the Slavonic races.
The revival of Czech painting dates from the foundation, in 1796, of the "National Society of Friends of Arts," and though at first traces of foreign influence might be detected, it soon developed on lines of its own and became a distinctly original national art.
These are in brief the achievements of the Czech nation, which is rightly claiming that at the conclusion of the war it shall form an independent State and become completely master of its own destinies.
Reading this short survey of her brilliant history and her wonderful struggle for independence, we think there can be very little doubt as to her justification for these claims.
