rovic, now Director of the Opera of the Bohemian National Theatre. All these have produced works of excellent qualities. Amongst those who go on more independent lines are Lud Lostak, Lad. Celansky in Bohemia, Leo Janacek in Moravia.
Orchestral music and works for the piano and stringed instruments by Vitezslav Novak (1870) enjoy a well-deserved reputation for melodiousness and good scoring. With him must be associated Josef Suk, because the two afford an excellent contrast in style. The former is a strong upholder of national music of the Slovaks in Moravia and Northern Hungary and an extreme modernest in his symphonic songs and poems. Josef Suk, on the contrary, has a disposition for classic originals, compositions remarkable for their brilliant harmonic colouring as well as the flow of melody, reminding us strongly of the style of Dvorak.
The theory and history of the art has a growing literature to which have contributed Professor Otakar Hostinsky, Karel Stecker Eman. Chvala, and Karel Knittl. The Prague Conservatoire of Music, the first academy of music established in Austria, will soon complete its first century of beneficial work. The following are the names of violin pupils of the Prague Conservatoire who have won special distinction as artists: Fr. Ondricek, Fl. Zajic, Karel Hoffman (first violin in the famous Bohemian quartetto), V. Kopta, and the pupils of Professor Otakar Sevcik, Jaroslav Kocian and the world-famed Jan Kubelik.
In addition to the National Opera Theatre in Prague, which produces works of the highest
