there, he threw up Grasse and retained only Vence, the poorest of all the sees in France.
Godeau was a voluminous writer, theological, historical, and poetic; and excelled in none of these lines. In fact, all his works have been consigned to the literary dust heap. His appointment to Grasse had followed on his presentation of a paraphrase of the Benedicite to Richelieu. The Cardinal said, "Sir, you have given me Benedicite. I in return render you Grasse (Grâce)."
The Cathedral of Grasse is of singularly uncouth Gothic, of the twelfth century, with huge drums of pillars, and the crudest of vaulting without any moulding being afforded to the ribs. Grasse possessed formerly a very curious feature, shared with Vence, of having the choir for bishop and chapter in the west gallery, over the porch. As this was so exceptional, and as the early apse would not admit of seats for the chapter, a late bishop built out a hideous structure behind the high altar to accommodate himself and the clergy. But at Vence the arrangement remains intact. That church of Vence is of very early architecture, I am afraid of stating how early. It consists of a nave with double aisles on each side, and the double aisles are carried round at the west end. Each of the aisles on both sides of the nave is stone-floored and vaulted underneath, forming a gallery. At the west end, both aisles are so floored, and here, above the narthex or porch, is the choir, with most beautifully carved stalls, bishop's throne at the extreme west end; and in the middle of this odd little upstairs choir is the lectern with its vellum MS. book of antiphons left as last used. The date of the stalls is 1455-1460, and the lectern is but little later.
