the gifted author Giovanni Ruffini from 1875 to 1881, the year in which he died. The remains of his house are shown. The church also deserves a visit, on account of the paintings on wood by Brea and other artists of the fifteenth century. One painting on a gold ground by Brea, or a disciple, in the chapel of the tombs of the Curio family, is specially noticeable for its beauty. On the Piazza Umberto I. stands a monument erected in 1896 to the memory of the three Ruffini brothers, who strove for the unification of Italy.
The story of the Bresca family of San Remo acquiring the privilege of furnishing palms to Rome, granted by Sixtus V. in 1586, is well known, but must not be left unnoticed here.
An obelisk was being elevated in the piazza before S. Peter's. This obelisk had been brought to Rome from Heliopolis by Caligula, in a ship which Pliny describes as being "nearly as long as the left side of the port of Ostia." Sixtus V. was resolved on Christianising or demolishing the relics of pagan Rome. The obelisk, if set up before S. Peter's, might serve to support a cross. It was removed from its place in the Circus of Nero by 800 men and 150 horses, under the supervision of Domenico Fontana, who was threatened with death if he failed. When it was about to be reared, Sixtus threatened death to man, woman, or child who should speak whilst the huge mass was being elevated by means of forty-six cranes. The great stone was slowly rising to its base, when suddenly it ceased to move, and it was evident that the ropes were yielding. An awful moment of suspense ensued, when the dead silence was broken by a shout: "Acqua alle funi!" (Throw water on the ropes!) The workmen at once cast bucketfuls of the
