tiara. Julius II. pushed on the fortunes of his family, which had been already aggrandised by Sixtus IV. This done, he could devote himself, undisturbed by the importunities of his kindred, to the gratification of that innate love for war and broil which was the ruling passion of his life.
He was the fighting Pope, stern, resolute, indomitable. The whippings he had received from his father had steeled his spirit instead of breaking it. His portrait by Raphael admirably expresses the character of this second Delia Rovere Pope. The hard, cold eye, the set frown, the determined mouth, about which a smile never quivered, and the flowing white beard, are eminently characteristic of the man. There is not in the face a trace of the ecclesiastic, not an indication of his having led a spiritual life. But for the habit, he might have been a doge or a military leader.
Ranke thus describes him:—
"Old as Julius was, worn by the vicissitudes of good and evil fortune experienced through a long life, by the fatigues of war and exile, and, above all, by the consequences of intemperance and profligacy, he yet did not know what fear or irresolution meant. In the extremity of age, he still retained that great characteristic of manhood, an indomitable spirit. He felt little respect for princes, and believed himself capable of mastering them all. He took the field in person, and having stormed Mirandola, he pressed into the city across the frozen ditches and through the breach; the most disastrous reverses could not shake his purpose, but seemed rather to
waken new resources in him. He was accordingly successful; not only were his own baronies rescued from the Venetians, but in the fierce contest that ensued he finally made himself master of Parma, Placentia, and even Reggio, thus laying the foundation of a power such as no Pope ever possessed before
him."
