King Réné and Jeanne de Laval are represented kneeling before the Bush that burns with fire and is not consumed, and in which, by a curious anachronism, is represented the Virgin and Child. This triptych was painted, it is thought, by Van der Meire, a disciple of Van Eyck. The other object is the magnificent series of tapestries in the choir, representing the Life of Our Lord, which came from S. Paul's Cathedral, London, whence they were ejected at the time of the Commonwealth. The date of these tapestries is 1511, and they are attributed to Quentin Matsys of Antwerp.
The museum of Aix richly deserves a visit. It contains bas-reliefs dug up at Entremont, where was the old Ligurian stronghold, taken by Sextius Calvinus; and these are the very earliest bits of Gaulish sculpture that have been found anywhere. There are also numerous relics of the classic Aix that have been unearthed in the town, and Christian sarcophagi sculptured with Biblical scenes.
In the town library is King Réné's Book of Hours, illuminated by his own hand.
