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THE CAVALIER.
197

pleased to roll the Covenanters, in Carthaginian fashion, down the Scottish hills; and the iron hook in his cellar, from which it was his playful fancy to depend them; and the wine which turned to clotted blood ere it touched his lips; and the active copartnership of Satan in his private affairs,—when we lay aside these picturesque traditions, there is little left save a charge, not altogether uncommon, of indecorum in his cups, the ever-vexed question of the Wigtown martyrs, and a few rebels who were shot, like John Bell, after scant trial, but who, Heaven knows, would have gained cold comfort by having their cases laid before the council. On the other hand, it might be worth while to mention that Lag was brave, honest, not rapacious, and, above all, true to his colors when the tide had turned, and he was left alone in his old age to suffer imprisonment and disgrace.

But if the memory of a minor actor in these dark scenes has come down to us so artistically embellished, what may we not expect of one who played a leading part through the whole stormy drama? "The chief of this Tophet on earth," is the temperate phrase applied to