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Aetat.30.]
163

the Stage, from the malicious and scandalous Aspersions of Mr. Brooke, Authour of Gustavus Vasa,'* being an ironical Attack upon them for their Suppression of that Tragedy[1]; and, 'Marmor Norfolciense; or an Essay on an ancient prophetical Inscription in monkish Rhyme, lately discovered near Lynne in Norfolk, by Probus Britannicus.'* In this performance, he, in a feigned inscription, supposed to have been found in Norfolk, the county of Sir Robert Walpole, then the obnoxious prime-minister of this country, inveighs against the Brunswick succession, and the measures of government consequent upon it[2]. To this supposed prophecy he added a Commentary, making each expression apply to the times, with warm Anti-Hanoverian zeal.

This anonymous pamphlet, I believe, did not make so much noise as was expected, and, therefore, had not a very extensive circulation[3]. Sir John Hawkins relates[4], that, 'warrants were issued, and messengers employed to apprehend the authour; who, though he had forborne to subscribe his name to the pamphlet, the vigilance of those in pursuit of him had discovered;' and we are informed, that he lay concealed in Lambeth-marsh till the scent after him grew cold. This, however, is altogether without foundation; for Mr. Steele, one of the Secretaries of the Treasury, who amidst a variety of important business, politely obliged me with his attention to my inquiry, informed me, that 'he

  1. In his Life of Thomson Johnson writes:—'About this time the act was passed for licensing plays, of which the first operation was the prohibition of Gustavus Vasa, a tragedy of Mr. Brooke, whom the public recompensed by a very liberal subscription; the next was the refusal of Edward and Elconora, offered by Thomson. It is hard to discover why either play should have been obstructed.' Johnson's Works, viii. 373.
  2. The Inscription and the Translation of it are preserved in the London Magazine for the year 1739, p. 244. Boswell. See Johnson's Works, vi. 89.
  3. It is a little heavy in its humour, and does not compare well with the like writings of Swift and the earlier wits.
  4. Hawkins's Johnson, p. 72.
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