Chapter VIII.
Bad Dreams and a Worse Waking.
The sudden and melancholy death of Gaston de Lancy caused a considerable sensation throughout Paris; more especially as it was attributed by many to poison. By whom administered, or from what motive, none could guess. There was one story, however, circulated that was believed by some people, though it bore very little appearance of probability. It was reported that on the afternoon preceding the night on which De Lancy died, a stranger had obtained admission behind the scenes of the opera-house, and had been seen in earnest conversation with the man whose duty it was to provide the goblets of wine for the poison scene in Lucretia Borgia. Some went so far as to say, that this stranger had bribed the man to put the contents of a small packet into the bottom of the glass given on the stage to De Lancy. But so improbable a story was believed by very few, and, of course, stoutly denied by the man in question. The doctors attributed the death of the young man to apoplexy. There was no inquest held on his remains; and at the wish of his mother he was buried at Rouen, and his funeral was no doubt a peculiarly quiet one, for no one was allowed to know when the ceremonial took place. Paris soon forgot its favourite. A few engravings of him, in one or two of his great characters, lingered for some time in the windows of the fashionable print-shops. Brief memoirs of him appeared in several papers, and in one or two magazines; and in a couple of weeks he was forgotten. If he had been a great general, or a great minister, it is possible that he would not have been remembered much longer. The new tenor had a fair complexion and blue eyes, and had two extra notes of falsetto. So the opera-house was as brilliant as ever, though there was for the time being a prejudice among opera-goers and opera-singers against Lucretia Borgia, and that opera was put on the shelf for the remainder of the season.
A month after the death of De Lancy the physician pronounced Mademoiselle de Cervennes sufficiently recovered to be removed from Paris to her uncle's chateau in Normandy. Her illness had been a terrible one. For many days she had been delirious. Ah, who shall paint the fearful dreams of that delirium!—dreams, of the anguish of which her disjointed sentences could tell so little? The face of the man she had loved had haunted her in every phase, wearing every expression—now thoughtful, now sparkling with vivacity, now cynical, now melancholy; but always distinct and palpable, and always before her night and day. The scene of her first meeting with him; her secret
