unsatisfied heart and an overworked brain: and in these occasional plunges into Parisian society he had made a wider acquaintance with the artistic classes than it is often granted to a provincial Englishman to make.
He ran over the names of the men he knew best in Paris, trying to hit upon the likeliest person to suit his purpose. It must be a man who had been well to the fore ten years ago, when Marie Prévol was a famous beauty, and her lover was spending his nights and his fortune on the Boulevard. It should not be difficult, he thought, to hit upon such a man.
"Volney Dugarge, Bize, Pontruche, Trottier. Yes, Trottier. That is the man; a thorough-going Bohemian, a haunter of supper-tables and gambling-dens, a hanger-on of lorettes, steeped to the tips of his nails in the atmosphere of the demi-monde, a man who had known Gautier and Nerval and Gustave Planche, an habitué of the Boulevard theatres; poor, keen-witted, a member of the band of paragraphists, the men who invent scandals, political, social, literary, theatrical, according to the prevailing demand, who write smart paragraphs for the most audacious of the newspapers, and puffs for enterprising tradesmen."
Trottier, thus humble in his pursuits, a man utterly without pride, or, as his enemies said, without self-respect, was one of the most agreeable men in Paris. He had been a Boulevardier for the last thirty years, had seen the Boulevard extend its glittering length into regions which he had known as a wilderness of gloom and poverty. He remembered the time when the Palais Royal was the focus of Parisian gaiety, the temple of fashion and taste.
"If this man Georges had any status in Bohemian society, Sigismond Trottier must have known him," thought Heathcote.
The next thing was to find Trottier. He was a man who only began to live after dinner. He might be looked for on the Boulevard between nine o'clock and midnight. He might be found at a club much favoured by actors and journalists, a club which had taken for itself a name from the history of the mediæval drama, and rejoiced in the title of Les Enfants Sans Souci, more briefly known as the Sans Souci. The Sans Souci had its nest on an entresol in the Rue Vivienne, six low-ceiled rooms opening one out of another, three of them furnished with divans in true Oriental style. These were the smoking-rooms. Then came a fourth and much more spacious apartment, provided with numerous small tables, writing materials, and the newspapers. Tapestried portières on the right and left of the fireplace in this reading-room opened into the sanctuary of the club, two medium-sized rooms, furnished with green cloth tables for baccarat, thickly curtained, thickly carpeted,
