the glasses which were strewn in charming confusion.
"What is the trouble? . . ."
A nervous attack, perhaps? . . . Confusion produced in her by the touching poem? . . .
Finally they raised Maria-José's head and bathed it in cool water; whereupon the face of the poor old maid stood revealed in all the ugliness that her spasms of convulsive weeping cast over it, with her large aquiline nose, her protruding eyes and her livid lips . . .
And now Monjardin drew near. Delicately raising the icy fingers of Maria-José he lifted them to the edge of his perfumed moustache and placed upon them a grateful kiss; then, turning to Engracigna's daughters he said, with a solemn, self-complacent tone, "Aunt Zézé's tears are the most beautiful homage that could be rendered to my poor verses."
