INDEX
of the Hawthorn pattern, 118; subjects for red under the glaze, 128, 170; Hawthorn pattern, 137, 141; soufflé, 151—153; medallion style, 152, 204, 213; Occidental influence, 177, 232; subjects for enamelled, 189, 195—197, 200, 204, 206, 209, 211, 246; reserved style, 193, 223; figure subjects, 202; intimate relation of Chinese and Japanese motives, 206; incised and relief, added to enamelled, 229; "grains-of-rice" 229; white slip, 230; character, 398, 404.
Deer as an emblem of longevity, 164.
Dragon as a decorative subject, 155, 197.
East India Company imports porcelain, 373.
Eel-yellow monochromatic ware, 307.
Eggshell porcelain, blue-and-white, 109, 112; enamelled, 204; monochromatic hard-paste, 253—257; process, 395.
Eight Immortals as decorative subjects, 161.
Enamelled ware, white ground: Occidental influence and reputation, 179, 231—236; origin, 180—182, 185; in early Ming eras, 182; development in Hsuan-tê era, 183—185; early subordination of enamels to general design, 185, 186; development in Chêng-hwa era, 186—192; first use of independent designs, 189; Occidental misconception of Ming dynasty ware, 190, 199; temporary arrest in development, 192; reserved style of decoration, 193, 223; elaboration in Lung-ching and Wan-li eras, 194—197, 199; immense production for the Court, 197; non-productiveness of early Tsing eras, 201; development of pâte and decorative subjects in Kang-hsi era, 201—205; enamels of Kang-hsi era, 203; Famille Verte, 204, 2143 character of decoration in Kang-hsi era, 204; Famille Chrysanthémo-Pæonéenne, 205—210; origin of Famille Rose, 210; its character and special varieties, 211—215, 302; of Ching-lung era, 214; lamp-shades, 215; iridescence, 216; imitation of Sèvres, 216; with decoration in green only, 228; decorated and imitated in Europe, 237—243; decadence in nineteenth century, 243—245; "jewelled," 245; Three-coloured ware, 245, 247.
Coloured ground: yellow on blue ground, 193, 223, 225; development in Chêng-hwa era, 191; Black Hawthorn, 218—220; other wares with black ground, 218, 221, 222; on red, 221; on dark green, 222; on yellow, 223; rose on blue, 225; on green, 225; rose on chocolate, 226; gold on bronze, 226; on mottled, 227.
Enamels, European and Chinese, 408. See also Colours and Enamelled ware.
Entrecolles, F.X.d', on Ching-tê-chên, 86—88; on materials for porcelain, 282, 284; on mirror-black ware, 324; on brown glaze, 326; on transmutation ware, 330; on preparation of glaze, 385—387; on stoving porcelain, 396.
Faience, character of, prior to Sung dynasty, 19—22; preference over porcelain, 26, 61; usual pâté for céladons, 34.3; so-called Yuan porcelain, 91; early blue-and-white, 98; gradations into porcelain, 99, 348; Three-coloured enamelled, 246—249, 349; Kwang, 313; not largely manufactured,
418
