Page:Brinkley - Japan - Volume 8.djvu/486

MARKS AND SEALS

288. 289. 290.	$\scriptstyle {\left.{\begin{matrix}\ \\\\\ \ \end{matrix}}\right\}\,}$ Iwakura-yama=mark of the Iwakura Kiln.
291.	Iwakura-yama Michihisa tsukuru=made by Michihisa at Iwakura; nineteenth century.
292.	Iwakura=mark of the Iwakura Kiln.
293.	Hokkyō Shūhei=made by Shūhei, the Hokkyō (art rank).
294.	Shūhei kore wo tsukuru=Shūhei made this.
295.	Dōhachi Shūhei=(modelled by) Dōhachi, (decorated by) Shūhei.
296.	Dai Nippon Tōkō Shūhei kore wo tsukuru=the potter Shūhei of Great Japan made this.
297.	Dai Nippon Shūhei tsukuru=made by Shūhei of Great Japan.
298.	Shōgetsu-zan Rantei seizō=made by Rantei at the Shōgetsu Kiln.
299.	Another form of No. 298.
300.	Rantei=mark of the potter Rantei.
301.	Ran=abbreviation of Rantei (potter's name).
302.	Another form of No. 301.
303.	Kiyomizu Yosō=(made by) Yosō of Kiyomizu.
304.	Yosō=made by Yosō.
305.	Another form of No. 304.
306.	Another form of No. 304.
307.	Kiyomizu=mark used by early Kiyomizu potters.
308.	Another form of No. 307.
309.	Ippōdō=a mark used by a court noble of Suni-no-kura, on faïence made by himself (Circ. 1800.)
310.	Another form of No. 309.
311.	Yūko=made by Yūko, a Raku potter; middle of 19th century.
312.	Another form of No. 311.
313.	Tai Sahei=a mark used by Sahei; a Kyōtō potter who worked also in Ise; eighteenth century.
314.	Tsune=everlasting; an unidentified mark.
315.	Rengetsu=mark of the female potter Rengetsu. A verse of poetry is added.
316.	Go-shinzen Tempō nensei Hyōjitsu=made by Hyōjitsu, before the altar in the Tempō era (1830–43).
317.	Tenka ichi Raku Chōji=made by Raku Chōji, the best in the realm.
318.	Kwaisuiyen daisu=sketched by Kwaisuiyen; an unidentified mark found on Awata ware of middle of nineteenth century.
319.	Bizan=(made by) Bizan.
320.	Oranda chichi-ashi-kwaki Kinkyū zō=Dutch nipple-footed flower-vase made by Kinkyū.
321.	Rozan=(made by) Rozan (a modern potter).
322.	Bannen=a mark found on Kyōtō faïence of the Banko kind.
323.	Moku-moku-moku uji=an unidentified mark, found on Kyōtō faïence of second half of nineteenth century.
324.	Sōhenzan Ninsei kore wo yaku=made by Ninsei Sōhenzan (an imitator of Ninsei; seventeenth century.)
325.	Gosaburō=(made by) Gosaburō; a potter of second half of fourteenth century.
326.	Ori=broken; an unidentified mark on comparatively modern faience.
327.	Yomoan Sōhen-zan=made by Sōhen Yomoan (vide No. 324).
328.	Circular mark used by Sōhaku; (vide 269).
329.	Kihō zō=made by Kihō; a Kiyomizu potter; second half of nineteenth century.
330.	Kōsai=(made by) Kōsai; a Kiyomizu potter; second half of nineteenth century.
331.	Seinyū=mark of one of the Raku potters.
332.	Kajō no tsuchi wo motte tsukuru=made with clay from Kajō; an unidentified mark found on comparatively modern faience of Kyōtō.
333.	Asahi-yama=mark of the Asahi-yama Kiln.
334. 335.	$\scriptstyle {\left.{\begin{matrix}\ \\\ \end{matrix}}\right\}\,}$ Shichijūni-sai Niraku tsukuru=made by Niraku at the age of seventy-two; a modern potter.
336. 337.	$\scriptstyle {\left.{\begin{matrix}\ \\\ \end{matrix}}\right\}\,}$ Kagura=a mark found on Raku-type faïence of Okazaki; second half of nineteenth century.
338. 339. 340.	$\scriptstyle {\left.{\begin{matrix}\ \\\\\ \ \end{matrix}}\right\}\,}$ Kinunken=(made by) Kinunken; a Kyōtō expert of nineteenth century.
341.	Kōzan=mark used by Kōzan, an Awata potter; end of the nineteenth century.
342.	Jizan saku=made by Jizan; a Kyōtō potter; end of nineteenth century.

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