singing lessons. He was a boy of seven, who already resembled his father to an almost comic extent. He had the same rather small round deep-set eyes and the same prominent aquiline nose; the lines of his face below the cheek-bones showed that it would not always retain its present child-like fulness.
“We’ve been laughing dreadfully,” he began to prattle, his eyes darting from one to another of the circle. “What do you think Herr Stengel said to Siegmund Kostermann?” He bent his back, shook his head, and declaimed impressively: “ ‘Outwardly, outwardly, my dear child, you are sleek and smooth; but inwardly, my dear child, you are black and foul.’ . . .” He mimicked with indescribably funny effect not only the master’s odd pronunciation but the look of disgust on his face at the “outward sleekness” he described. The whole company burst out laughing.
“Young monkey!” repeated old Buddenbrook. But Herr Hoffstede was in ecstasies. “Charmant!” he cried. “If you know Marcellus Stengel—that’s he, to the life. Oh, that’s too good!”
Thomas, to whom the gift of mimicry had been denied, stood near his younger brother and laughed heartily, without a trace of envy. His teeth were not very good, being small and yellowish. His nose was finely chiselled, and he strikingly resembled his grandfather in the eyes and the shape of the face.
The company had for the most part seated themselves on the chairs and the sofa. They talked with the children or discussed the unseasonable cold and the new house. Herr Hoffstede admired a beautiful Sèvres inkstand, in the shape of a black and white hunting dog, that stood on the secretary. Doctor Grabow, a man of about the Consul’s age, with a long mild face between thin whiskers, was looking at the table, set out with cakes and currant bread and salt-cellars in different shapes. This was the “bread and salt” that had been sent by friends for the house warming; but the
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