out laws or compulsions. “Punishment and fear did not exist,” he said, in Latin. “No threats were graven upon the bronze tablets, nor did those who came to petition fear the countenance of the judges.…” He read in fear and trembling, read with design badly and disjointedly, purposely omitted some of the elisions that were marked with pencil in Kilian’s hook, made mistakes in the lines, progressed with apparent difficulty, and constantly expected the master to discover the fraud and pounce upon him. The guilty satisfaction of seeing the open book in front of him gave him a pricking sensation in his skin; but at the same time he had such a feeling of disgust that he intentionally deceived as badly as possible, simply to make the deceit seem less vulgar to himself. He came to the end, and a pause ensued, during which he did not dare look up. He felt convinced that Dr. Mantelsack had seen all, and his lips were perfectly white. But at length the master sighed and said:
“Oh, Buddenbrook! Si tacuisses! You will permit me the classical thou, for this once. Do you know what you have done? You have conducted yourself like a vandal, a barbarian. You are a humourist, Buddenbrook; I can see that by your face. If I ask myself whether you have been coughing or whether you have been reciting this noble verse, I should incline to the former. Timm showed small feeling for rhythm, but compared to you he is a genius, a rhapsodist! Sit down, unhappy wretch! You have studied the lines, I cannot deny it, and I am constrained to give you a good mark. You have probably done your best. But tell me—have I not been told that you are musical, that you play the piano? How is it possible? Well, very well, sit down. You have worked hard—that must suffice.”
He put a good mark down in his book, and Hanno Buddenbrook took his seat. He felt as Timm, the rhapsodist had felt before him—that he really deserved the praise which Dr. Mantelsack gave him. Yes, at the moment he was of the opinion that he was, if rather a dull, yet an industrious
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